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By Kevin Farrell June 21, The decades-long battle between the manufacturers of three iterations of the iconic tri-colored, patriotic popsicles. Who will save us from this ice cold war, and how did we end up here in the first place? The original rocket-shaped but confusingly-named Bomb Pop was first invented in by D.
The fascinating story of patriotic bomb pop and firecracker popsicles
So what is the best means of protection? Pop screens and windscreens get confused all the time.
The main purpose of a windscreen, you guessed it, is to protect the capsule from windblasts. Such foam windscreens, thus, are mainly deed for open air stage use and field recording. And when this blast hits the membrane it sounds like an explosion, indeed.
They usually consist of a ring holding two layers of thin fabric. There are also pop filters made of metal mesh or perforated metal.
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There is no consensus among sound engineers as to which material is best. Pop screens are much more effective against pop noises than windscreens. The latter also attenuate the treble response to some degree, while pop screens affect the sound far less.
For optimalmount the pop screen at least 10 cm 4 inches away from the mic. Comb filtering sounds a bit like a static flanger effect. As a rule of thumb, large pop screens sound more transparent than small ones.
The larger the pop screen the further away is the outer ring from the mic capsule. This requires a tall and sturdy mic stand. Also, the singer must take care to avoid singing Ps and Bs directly into the mic. However, this may get in the way of a truly emotional delivery.
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Pop screens are a much more effective means against nasty pops than foam windscreens. Singers can fully focus on their performance rather than watching their Ps and Bs, and the sound engineer can focus on getting great sounds and optimal levels. They look so different, yet get confused all the time: windscreen left und pop screen right.
Foam windscreens are not a very good protection against pops.
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